Robin, too, thought the photograph looked strange, though he did not say so aloud. All of their expressions were artificial, masks of faint discomfort. The camera had distorted and flattened the spirit that bound them, and the invisible warmth and camaraderie between them appeared now like a stilted, forced closeness. Photography, he thought, was also a kind of translation, and they had all come out the poorer for it. Violets cast into crucibles, indeed.
