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you feel the world around you more than you see it.
She stopped wearing makeup, then she stopped apologizing for not wearing it.
She’s grasping for humor but the memory is jaundiced.
Her eyes are pleasant but unoccupied, as if she’s observing a staged drama.
still as a bush in that dry, windless heat.
chewing her asparagus again and again in her crooked jaw, the way a goat might,
Long before the warriors’ leap it was decided how the women would live and how they would die. By the warriors, by the women themselves. Decided. Choices, numberless as grains of sand, had layered and compressed, coalescing into sediment, then into rock, until all was set in stone.
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every repercussion, every reverberation that clanged down through the years.
It begins with Tyler himself, with the bizarre fact of him. It happens sometimes in families: one child who doesn’t fit, whose rhythm is off, whose meter is set to the wrong tune. In our family, that was Tyler. He was waltzing while the rest of us hopped a jig; he was deaf to the raucous music of our lives, and we were deaf to the serene polyphony of his.
I ran until the sound of blood pulsing in my ears was louder than the thoughts in my head;
SUMMER WANED, SEEMING TO evaporate in its own heat.
After the first she came home sickly and pale, as if bringing that life into the world had taken a measure of her own.
skilled,
If I was skeptical, my skepticism was not entirely my fault. It was the result of my not being able to decide which of my mothers to trust.
a great iron glacier breaking apart.
Nothing had ever felt so natural; it was as if I thought the sound, and by thinking it brought it into being.
there was something in me, something like what was in the prophets, and that it was not male or female, not old or young; a kind of worth that was inherent and unshakable.
Perhaps reality was not wholly volatile. Perhaps it could be explained, predicted.
I am not sorry, merely ashamed.
I bought my own copy, hoping it would teach me about history or literature, but it didn’t. It couldn’t, because I was unable to distinguish between the fictional story and the factual backdrop. Napoleon felt no more real to me than Jean Valjean. I had never heard of either.
something called the “essay form,” which, she assured us, we had learned in high school.