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I suppose I was in shock, but whether it was the shock of learning about something horrific, or the shock of learning about my own ignorance, I’m not sure.
shell—in that girl made vacant by the fiction of invincibility—there
I talked and he listened, drawing the shame from me like a healer draws infection from a wound.
That their marriage would be manipulative and violent, I had no doubt—although those words were not mine. They had been given to me by the bishop, and I was still trying to wrest meaning from them.
I was an incurious student that semester. Curiosity is a luxury reserved for the financially secure: my mind was absorbed with more immediate concerns, such as the exact balance of my bank account, who I owed how much, and whether there was anything in my room I could sell for ten or twenty dollars.
I wonder now if the day I set out to steal that tax return wasn’t the first time I left home to go to Buck’s Peak.
I couldn’t tell him that the reason I couldn’t return to Cambridge was that being here threw into great relief every violent and degrading moment of my life.
I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: “It is a subject on which nothing final can be known.” The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.
What was needed—what Emily needed—was a woman emancipated from pretense, a woman who could show herself to be a man. Voice an opinion. Take action in scorn of deference. A father.
Somehow, it had never occurred to me that my sister might have lived my life before I did.
I lived a lifetime in the moment I read those lines, a life that was not the one I had actually lived.
In that moment part of me believed, as I had always believed, that it would be me who broke the spell, who caused it to break. When the stillness shattered and his fury rushed at me, I would know that something I had done was the catalyst, the cause. There is hope in such a superstition; there is the illusion of control.
the strange sorcery of physics that I still believed had saved me.
I began to defer, always, to the judgment of others. If Drew remembered something differently than I did, I would immediately concede the point. I began to rely on Drew to tell me the facts of our lives. I took pleasure in doubting myself about whether we’d seen a particular friend last week or the week before, or whether our favorite crêperie was next to the library or the museum. Questioning these trivial facts, and my ability to grasp them, allowed me to doubt whether anything I remembered had happened at all.
there was something nourishing in setting aside that time each week, in the act of admitting that I needed something I could not provide for myself.
I shed my guilt when I accepted my decision on its own terms, without endlessly prosecuting old grievances, without weighing his sins against mine. Without thinking of my father at all. I learned to accept my decision for my own sake, because of me, not because of him. Because I needed it, not because he deserved it.
What followed was very dramatic. But the real drama had already played out in the bathroom. It had played out when, for reasons I don’t understand, I was unable to climb through the mirror and send out my sixteen-year-old self in my place. Until that moment she had always been there. No matter how much I appeared to have changed—how illustrious my education, how altered my appearance—I was still her. At best I was two people, a fractured mind. She was inside, and emerged whenever I crossed the threshold of my father’s house. That night I called on her and she didn’t answer. She left me. She
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Ryan Fohl liked this
We are all more complicated than the roles we are assigned in stories. Nothing has revealed that truth to me more than writing this memoir—trying to pin down the people I love on paper, to capture the whole meaning of them in a few words, which is of course impossible. This is the best I can do: to tell that other story next to the one I remember.