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humoring his whims, and obeying his every behest, her recompense is not money, but “love”—and the cost is her identity.
her obedient beliefs, her unquestioning subservience to the male, are dying with her.
her bisexuality ensured that; after her marriage, that sense of a dual identity deepened, and was to feed all her fiction.
Rebecca, with the angry voice of female dissent,
a deeply subversive work, one that undermines the very genre to which critics consigned it.
