As we’ve seen, indigenous critics like Kandiaronk, caught in the rhetorical moment, would frequently overstate their case, even playing along with the idea that they were blissful, innocent children of nature. They did this in order to expose what they considered the bizarre perversions of the European lifestyle. The irony is that, in doing so, they often played into the hands of those who argued that – being blissful and innocent children of nature – they also had no natural rights to their land.
