The exchange between Madame de Graffigny and Turgot gives us a sense of intellectual debate in France in the early 1750s; at least, in the saloniste circles with which Rousseau was familiar. Were freedom and equality universal values, or were they – at least in their pure form – inconsistent with a regime based on private property? Did the progress of arts and sciences lead to improved understanding of the world, and therefore to moral progress as well? Or was the indigenous critique correct, and the wealth and power of France simply a perverse side effect of unnatural, even pathological,
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