If nothing else, these preoccupations help to explain the continued relevance of an otherwise not particularly successful eighteenth-century Swiss musician named Jean-Jacques Rousseau. Those primarily concerned with the first question saw him as the first to ask it in a quintessentially modern way. Those mainly concerned with the second were able to represent him as the ultimate clueless villain, a simple-minded revolutionary who felt that the established order, being irrational, could simply be brushed aside. Many held Rousseau personally responsible for the guillotine. By contrast, few
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