Paul Sorrells

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ARNOLD KOPELSON: And you take those contracts, with a completion guarantee that’s issued by an insurance company, and you take it to a bank, and you borrow the total cost of making the movie. And generally, your contracts are for more than the budget of the movie, more than the anticipated negative cost plus interest. And generally you can come in with a profit before you start your first day of photography.
Hollywood: The Oral History
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