The Practice: Shipping Creative Work
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if we don’t need confidence, if we can merely trust the practice and engage in the process of creation and shipping, then resistance loses much of its power.
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Generosity subverts resistance by focusing the work on someone else.
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giving in to resistance when you’re doing generous work feels selfish.
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For art to be generous it must change the recipient.
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If it doesn’t, it’s not working (yet). But realizing it’s not working is an opportunity to make it better.
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The practice is agnostic about ...
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The magic is that you chose to share it.
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“It’s not working (yet).” That’s the only reassurance you truly need.
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There’s a practice. The practice is proven, and you’ve embraced it.
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Now, all that’s neede...
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More time, more cycles, more bravery,...
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Positive people are more likely to enjoy the practice.
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They’re not wasting any time experiencing failure in advance.
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If we can model being positive about our practice, the outcome will take care of itself.
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you ship generous work and it doesn’t connect with the desired audience, you may have had an outcome you didn’t hope for, but the practice itself isn’t a failure.
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if you have a practice, failure
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is part of it.
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It’s impossible to be appropriately generous to everyone.
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We have to be able to say “it’s not for you” and mean it.
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Part of the work involves leaving the safety of our own perfectly correct narrative and intentionally entering someone else’s.
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the only way to engage with this gap is to go where they are, because those you serve are unlikely to care enough to come to you.
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you don’t create a hit by trying to please everyone.
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A key component of practical empathy is a commitment to not be empathic to everyone.
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That’s okay, because the work isn’t for them.
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“It’s not for you” is the unspoken possible companion to “Here, I made this.”
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That leaves the option of trusting your self. This combines two choices:
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Choose to make work that matters a great deal to someone.
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Choose to commit to the journey, not to any particular engagement.
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Great work isn’t popular work; it’s simply work that was worth doing.
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If there are only non-believers, the reason is simple: you’re not seeing genre the way others do.
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it’s not as good as you think it is—if
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To embrace the fact that the audience isn’t wrong, you’re just not right (yet).
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Their failure was in setting expectations for a mass audience. They built an organization that promised to change the world overnight and brought their ideas to the wrong audience
Matthew Ackerman
Audience and reality out of sync. Made a mass market product but no mass market materialized. Generous, but for the wrong audience. Not a failure, just not the expected outcome
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quality means meeting spec.
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the more vernacular understanding of quality means luxury.
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the quality of creative magic.
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Being accepted and admired by your specific audience is another sort of good—and for most of us, this is actually enough. I believe this is the goal of a working creative.
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“It becomes a hit.”
Matthew Ackerman
Lagging indicator, an outcome that tells us nothing about getting to "a hit"
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Selling is simply a dance with possibility and empathy. It requires you to see the audience you’ve chosen to serve, then to bring them what they need.
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Sales is about upending the status quo of what the world was like before you got there.
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for the people who will benefit from the change you created.
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Enrollment is acknowledgment that we’re on a journey together.
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Our desire to please the masses interferes with our need to make something that matters.
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The practice demands that we seek to make an impact on someone, not on everyone.
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We can spend a lot of psychic energy willing the weather to be perfect.
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The thoughtful alternative is resilience. To be okay no matter how the weather turns out, because the weather happens without regard for what we need.
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When we get really attached to how others will react to our work, we stop focusing on our work and begin to focus on controlling the outcome instead.
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We’re always falling. The good news is that there’s nothing to hold onto.
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As soon as we stop looking for something to grab, our attention is freed up to go back to the practice,
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Becoming unattached doesn’t eliminate our foundation. It gives us one.