John Michael Strubhart

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A simple fabric tent, anchored to the GL 550, features a top and three sides. It’s open to the view, a shaded retreat from which he can continue his photography or take a break when he is no longer able to endure the direct sun. Providing privacy from the rare vehicles that might come along the dirt track, the shelter surely also serves as a venue for other activities.
Photographing the Dead (Nameless: Season One, #2)
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