Charles Phillips

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Moving there like an afterimage, like it was left behind, is just trying to creep past without being seen, he’s ninety percent sure there’s the shadow of a person up against that wall. A thin shadow, just for a flicker of a moment. A woman with a head that’s not human. It’s too heavy, too long. When it turns as if to fix him in its wide-set eyes, he raises his hand to block her vision, to hide, but it’s too late. It’s been too late for ten years already. Ever since he pulled that trigger.
The Only Good Indians
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