Uncanny Valley

by Anna Wiener

Hoaxing and misinformation and memes, long the trappings of message-board culture, moved into the civic sphere. Trolling was a new political currency.

The nature of online abuse evolved quickly; it was always just a little out of grasp.

I knew it was time to go. The money and the ease of the lifestyle weren’t enough to mitigate the emotional drag of the work: the burnout, the repetition, the intermittent toxicity. The days did not feel distinct. I felt a widening emptiness, rattling around my studio every morning, rotating in my desk chair. I had the luxury, if not the courage, to do something about it.

wanted a change, and I wanted to write. My impulse, over the past few years, had been to remove myself from my own life, to watch from the periphery and try to see the vectors, the scaffolding, the systems at play. Psychologists might refer to this as dissociation; I considered it the sociological approach. It was, for me, a way out of unhappiness. It did make things more interesting.

Certain unflattering truths: I had felt unassailable behind the walls of power. Society was shifting, and I felt safer inside the empire, inside the machine. It was preferable to be on the side that did the watching than on the side being watched.