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Even before the twenty-four-hour news cycle, Twitter storms, algorithmic trading, spreadsheets, the DDoS attack, Americans were getting “spread” in their daily lives; meanwhile, their politicians went on speaking slowly, slowly about values utterly disconnected from their
On the one hand, Klaus, surely the only man in Topeka outfitted in white linen, could not take these kids—with their refrigerators full of food, their air-conditioning and television, their freedom from stigma or state violence—seriously; what could be more obvious than the fact that they did not know what suffering was, that if they suffered from anything it was precisely this lack of suffering, a kind of neuropathy that came from too much ease, too much sugar, a kind of existential gout? And then, on the other hand, Klaus took them very seriously indeed; they are told constantly, the culture
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The opposite of a truth,” Klaus quoted, “is a falsehood; but the opposite of a profound truth”—pause for emphasis, sound of sprinklers, insects, push mowers, felt absence of city noise, Kenny Rogers from a passing car—“may be another profound truth.” It either is or is not August (Klaus removes his anachronistic glasses, round lenses, wipes his face, replaces them, resumes walking); if I assert it’s August when it isn’t—simply false; but if I say that life is pain, that is true, profoundly so; so, too, that life is joy; the more profound the statement, the more reversible; the deep truths are
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From a family systems perspective, a lot has been lost with landlines. Think about how often—before cell phones, before any kind of caller ID—you answered the landline as a child and had to have an exchange, however brief, with aunts or uncles or family friends. Even if it was that five-second check-in, How are you doing, how is school, is your mom around—it meant periodic real-time vocal contact with an extended community, which, through repetition, it reinforced. Now you never speak to anyone unless they call you directly. I love FaceTiming with the girls, I’m not just mourning the older
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A poem is a mysterious pill.
He wanted to be a poet because poems were spells, were shaped sound unmaking and remaking sense that inflicted and repelled violence and made you renowned, or renowned for being erased, and could have other effects on bodies: put them to sleep or wake them, cause tears or other forms of lubrication, swelling, the raising of small hairs.
Almost everybody—preschoolers, man-children, family therapists, analysts, bio-psychologists, debate coaches—agreed language could have magical effects: just ask your muscles to relax. Even if he didn’t want to be a poet, he always already was one, at least since he’d rubbed those weeds between his hands at Bright Circle. You’re a poet and you don’t even know it.
saw these dynamics, thought seeing them protected me somehow, which is the stupid mistake psychologists make, a very Foundation mistake; we thought that if we had a language for our feelings we might transcend them.
But there are no grown-ups, that’s what you must grow up to know fully; your parents were just two more bodies experiencing landscape and weather, trying to make sense by vibrating columns of air, redescribing contingency as necessity with religion or World Ice Theory or the Jewish science, cutting profound truths with their opposites as the regimes of meaning collapse into the spread.