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“If we address stories as archaeological sites, and dust through their layers with meticulous care, we find at some level there is always a doorway. A dividing point between here and there, us and them, mundane and magical. It is at the moments when the doors open, when things flow between the worlds, that stories happen.”
my long years of research have taught me that all stories, even the meanest folktales, matter. They are artifacts and palimpsests, riddles and histories. They are the red threads that we may follow out of the labyrinth. It is my hope that this story is your thread, and at the end of it you find a door.
It’s a profoundly strange feeling, to stumble across someone whose desires are shaped so closely to your own, like reaching toward your reflection in a mirror and finding warm flesh under your fingertips. If you should ever be lucky enough to find that magical, fearful symmetry, I hope you’re brave enough to grab it with both hands and not let go. I wasn’t. Then.
There’s only one way to run away from your own story, and that’s to sneak into someone else’s.
Let that be a lesson to you: If you are too good and too quiet for too long, it will cost you. It will always cost you, in the end.
And so, in the late spring of the year 1893 in your world, which was the year 6920 in that one, Yule Ian Scholar and Adelaide Lee Larson found one another in the noonday tides surrounding the City of Plumm. They were never willingly parted again.
You people are always trying to invent reasons for things. Monsters only come for bad children, for loose women, for impious men. The truth is that the powerful come for the weak, whenever and wherever they like. Always have, always will.”
Once we have agreed that true love exists, we may consider its nature. It is not, as many misguided poets would have you believe, an event in and of itself; it is not something that happens, but something that simply is and always has been. One does not fall in love; one discovers it.
Something about having a child bends you back to your beginnings, as if you have been drawing a circle all your life and now are compelled to close it.
I’ve sent you trinkets and toys before—did you recognize them for what they were? The insufficient offerings of an absent father? A coward’s attempt to say: I think of you always, I love you, forgive me? I
The truth is that I wrote it for you. I was always writing for you, every moment.
Too many times, your eyes said. You left me too many times, and now something precious and fragile has broken between us.
The will to be polite, to maintain civility and normalcy, is fearfully strong. I wonder sometimes how much evil is permitted to run unchecked simply because it would be rude to interrupt it.
I knew when Mr. Locke protected something he locked it away, stifled it, kept it preserved like an amputated limb in a glass case. He’d been protecting me my entire life, and it’d nearly killed me, or at least my soul.
Maybe all powerful men are cowards at heart, because in their hearts they know power is temporary.
No, they aren’t. Worlds were never meant to be prisons, locked and suffocating and safe. Worlds were supposed to be great rambling houses with all the windows thrown open and the wind and summer rain rushing through them, with magic passages in their closets and secret treasure chests in their attics.
But I had forgotten Bad. My first friend, my dearest companion, my terrible dog who had always seen the Please Do Not Ever Bite list as a fundamentally negotiable document. He arched backward, yellow eyes gleaming in the fierce joy of an animal doing what he loves best, and buried his teeth in Locke’s wrist.