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Bowles was possessed by the notion of extremes, dramatized in the mounting persecution of the professor in ‘A Distant Episode’ surely one of the most terrifying short stories in any language.
How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.’
Even during the short periods when their lives were stationary, which had been few enough since their marriage, twelve years ago, he had only to see a map to begin studying it passionately, and then, often as not, he would begin to plan some new, impossible trip which sometimes eventually became a reality. He did not think of himself as a tourist; he was a traveller. The difference is partly one of time, he would explain. Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveller, belonging no more to one place than to the next, moves slowly, over
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For years it had been one of his superstitions that reality and true perception were to be found in the conversation of the labouring classes.
think we’re both afraid of the same thing. And for the same reason. We’ve never managed, either one of us, to get all the way into life. We’re hanging on to the outside for all we’re worth, convinced we’re going to fall off at the next bump. Isn’t that true?’
He felt that what they really meant to say was: ‘You have chosen the easiest terrain.’ But if they elected to place obstacles in their own way – and they so clearly did, encumbering themselves with every sort of unnecessary allegiance – that was no reason why they should object to his having simplified his life. So it was with a certain annoyance that he would say: ‘Everyone makes the life he wants. Right?’ as though there were nothing further to be said.
As long as he was living his life, he could not write about it. Where one left off, the other began, and the existence of circumstances which demanded even the vaguest participation on his part was sufficient to place writing outside the realm of possibility. But that was all right. He would not have written well, and so he would have got no pleasure from it. And even if what he might have written had been good, how many people would have known it? It was all right to speed ahead into the desert leaving no trace.
It was an existence of exile from the world. He never saw a human face or figure, nor even an animal; there were no familiar objects along the way, there was no ground below, nor sky above, yet the space was full of things. Sometimes he saw them, knowing at the same time that really they could only be heard. Sometimes they were absolutely still, like the printed page, and he was conscious of their terrible invisible motion underneath, and of its portent to him because he was alone. Sometimes he could touch them with his fingers, and at the same time they poured in through his mouth. It was all
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‘Death is always on the way, but the fact that you don’t know when it will arrive seems to take away from the finiteness of life. It’s that terrible precision that we hate so much. But because we don’t know, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number, really. How many more times will you remember a certain afternoon of your childhood, some afternoon that’s so deeply a part of your being that you can’t even conceive of your life without it? Perhaps four or five times more. Perhaps not even that. How many more
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Life was suddenly there, she was in it, not looking through the window at it.
‘Ah, yes. Life is amazing. Nothing ever happens the way one imagines it is going to. One realizes that most clearly here; all your philosophic systems crumble. At every turn one finds the unexpected.