(except, of course, for Infinite Jest, which I hadn’t been able to find a way into despite its snazzy and prescient central idea of corporations taking over the American entertainment industry)
Fascinating. His critique of Wallace so far is fair and accurate but Infinite Jest isn’t about a corporate takeover of entertainment (heck, that has happened) so much as a corporate takeover of government. Is BEE slyly saying they’re the same!
