Oddly, this wasn’t the only time Stephen Sondheim would dodge Puerto Rican politics. His 1990 musical, Assassins, told the story of nine assassins or would-be assassins of U.S. presidents, from John Wilkes Booth to John Hinckley. But it didn’t include Oscar Collazo or Griselio Torresola. Because their motives were political, Sondheim explained, they were “less complex psychologically” than the other assassins. And so Sondheim ended up writing one Broadway musical about New York Puerto Ricans in the fifties and another about presidential assassins—without ever mentioning the New York Puerto
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