The Guns of August

by Barbara W. Tuchman

What is it about this book—essentially a military history of the first month of the First World War—which gives it its stamp and has created its enormous reputation? Four qualities stand out: a wealth of vivid detail which keeps the reader immersed in events, almost as an eyewitness; a prose style which is transparently clear, intelligent, controlled and witty; a cool detachment of moral judgment—Mrs. Tuchman is never preachy or reproachful; she draws on skepticism, not cynicism, leaving the reader not so much outraged by human villainy as amused and saddened by human folly. These first three qualities are present in all of Barbara Tuchman’s work, but in The Guns of August there is a fourth which makes the book, once taken up, almost impossible to set aside. Remarkably, she persuades the reader to suspend any foreknowledge of what is about to happen.

The muffled tongue of Big Ben tolled nine by the clock as the cortege left the palace, but on history’s clock it was sunset, and the sun of the old world was setting in a dying blaze of splendor never to be seen again.

nothing so comforts the military mind as the maxim of a great but dead general.

One constant among the elements of 1914—as of any era—was the disposition of everyone on all sides not to prepare for the harder alternative, not to act upon what they suspected to be true.

To be right and overruled is not forgiven to persons in responsible positions, and Michel duly paid for his clairvoyance.

it was not intended as a veto, then it must have been intended for commanders to interpret as they saw fit, which brings the matter to that melting point of warfare—the temperament of the individual commander. When the moment of live ammunition approaches, the moment to which all his professional training has been directed, when the lives of men under him, the issue of the combat, even the fate of a campaign may depend upon his decision at a given moment, what happens inside the heart and vitals of a commander? Some are made bold by the moment, some irresolute, some carefully judicious, some paralyzed and powerless to act.

Human beings, like plans, prove fallible in the presence of those ingredients that are missing in maneuvers—danger, death, and live ammunition.

The turn of events in Belgium was a product of the German theory of terror. Clausewitz had prescribed terror as the proper method to shorten war, his whole theory of war being based on the necessity of making it short, sharp, and decisive. The civil population must not be exempted from war’s effects but must be made to feel its pressure and be forced by the severest measures to compel their leaders to make peace.

Arguments can always be found to turn desire into policy.

in the midst of war and crisis nothing is as clear or as certain as it appears in hindsight.

When at last it was over, the war had many diverse results and one dominant one transcending all others: disillusion.