Steven Spielberg’s 2012 film Lincoln is dramatization at its best. It shows the president, played by Daniel Day-Lewis, trying to make good on the claim, in the Declaration of Independence, that all men are created equal: what more praiseworthy cause could a hedgehog possibly pursue? But to abolish slavery, Lincoln must move the Thirteenth Amendment through a fractious House of Representatives, and here his maneuvers are as foxy as they come. He resorts to deals, bribes, flattery, arm-twisting, and outright lies—so much so that the movie reeks, visually if not literally, of smoke-filled
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