Sarah Moore

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The one that came to mind first was an image of a pastoral landscape, a gently rolling quilt of field and forest and pond, directly above which hovered some kind of gigantic rectangular frame made of steel. The structure, which was a few stories tall but hollow, resembled a pylon for electrical transmission lines or something a kid might build from an Erector set—a
How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence
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