You know Beckett Joyce Cobalt as a principal dancer of an elite ballet company in New York City. His tattoos and extracurricular activities cause a stir for tabloids. But they also fill seats for shows. You call him the bad boy of ballet and he doesn’t bother proving you wrong. I know him as my twenty-year-old hard-working, extraordinarily talented cousin, the most calm and the least dramatic of the Cobalt Empire. He has no room for bullshit, and he’ll be the first to say you smell full of it. If he weren’t Charlie’s fraternal twin, maybe we’d find common ground. But if there really are sides
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