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It is the first day of November and so, today, someone will die.
I have forgotten what it is like to be warm and what a full night’s sleep feels like and what my name sounds like spoken instead of shouted across yards of sand. I am so, so alive.
I wouldn’t trust a handful of petals to save my life.
These are not ordinary horses. Drape them with charms, hide them from the sea, but today, on the beach: Do not turn your back.
I don’t think often on my father’s body strung out through the reddening surf. Instead, I remember him as he was before the race: afraid. I won’t make the same mistake.
Thisby is an island well populated by sons disappointing their fathers.
“It’s for personal reasons,” I say stiffly. Which is what my mother had always told me to say about things that had to do with fighting with your brothers, getting any sort of illness that had intestinal ramifications, starting your period, and money. And this decision covered two out of the four, so I thought the statement was well earned.
Dory is what Mum used to call a “strong-looking woman,” which meant that, from the back, she looked like a man, and, from the front, you preferred the back.
I say, “I will not be your weakness, Sean Kendrick.” Now he looks at me. He says, very softly, “It’s late for that, Puck.”
“That’s a poor match, Sean Kendrick,” says a voice at my elbow. It’s the other sister from Fathom & Sons, and she follows my gaze to Puck. “Neither of you are a housewife.” I don’t look away from Puck. “I think you assume too much, Dory Maud.” “You leave nothing to assumption,” Dory Maud says. “You swallow her with your eyes. I’m surprised there’s any of her left for the rest of us to see.”
hear laughter and someone asks if I need help, not in a nice way. I snarl, “What I need is for your mother to have thought a little harder nine months before your birthday.” “She bites!” says someone.

