In his classic The Mind of the South, W.J. Cash says that the plantation system “threw up walls [which] . . . enclosed the white man, walls he did not see.” The poor white did not see himself “locked into a marginal life” but as “a potential planter or mill baron himself.” Within those walls, the cultural imagination focused intently on two groups—the dominant and dominated, very rich and very poor, free and bound, envied and pitied, with very little in between. Rich planters sipped foreign wine under crystal chandeliers, seated on European chairs, in white-pillared mansions. They saw
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