Four p.m. is like a basement. Wholly innocent in theory. But if you really think about a basement, it is cement poured over restless earth. It has smelly, unfinished spaces, and wooden beams that cast too-sharp shadows. It is something that says almost, but not quite. Four p.m. feels that way, too. Almost, but not quite afternoon anymore. Almost, but not quite evening yet. And it is the way of magic and nightmares to choose those almost-but-not-quite moments and wait.
