In Our Lady of Darkness (1977), Fritz Leiber offers his theory of Megapolisomancy, a “new science of cities” formulated by his fictitious magician Thibaut de Castries. The streets and subway tunnels, water mains and gas pipes, steam tunnels and power cables formed lines of power that imbued cities with dark magic. Or, as a character in Thomas Monteleone’s Night Train (1984) says, “In effect, the city may be coming to life, and if so, it’s proving to be something quite malign.” In Night Train, other dimensions are melting into ours, the main incursion point lying beneath the Lower East Side
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