Amy

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Rice’s vampire trilogy is transparently autobiographical, allowing her to work through death, guilt, fear, and insecurity, emerging at the end as a fabulous superstar. Similarly, her vampires didn’t bring stench and disease like their literary predecessors; they brought beauty and culture. They were romantic gods, and nothing as tacky as a cross or a stake through the heart could kill them. Only sunlight and fire were dramatic enough to take them down.
Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction
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