Rory Lynch

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But no matter how comparatively positive the First Plot Point may seem, it must always be dogged by the portent of bad things to come. Foreshadowing must be wielded deftly in a Negative Change Arc more than in any other. If an unhappy ending is going to resonate with readers, they must be prepared for it. They must feel it was the only logical outcome.
Creating Character Arcs: The Masterful Author's Guide to Uniting Story Structure, Plot, and Character Development
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