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“What did you think of this afternoon’s client?” Jack asked after they had both sat down with bowls of soup and thick slices of bread. He had come to his own conclusions but wanted to hear if Sarah had reached the same ones. “Her dress was costly,” she said without hesitation. She must have known this question was coming—Jack wasn’t fool enough to have a fashionable dressmaker as a sister without taking advantage of her knowledge whenever it could be useful. “And not versatile. Her pelisse and gown were trimmed with the same shade of Pomona green as her hat, gloves and boots. Each of those
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It was dark but the streetlights were lit, and when he reached Piccadilly, it was crowded with carriages. Young ladies and lordlings headed to their evening’s entertainment, he gathered. If he got a peek into one of the carriages he could have instantly told where the occupants were headed—the theater, the opera, a ball, a dinner. Before beginning in his present line of work he had served as a valet, first for a barrister, then for a gentleman who had since gone to India, and finally for Mr. Rivington’s brother-in-law, Lord Montbray. He had spent more evenings than he wanted to remember
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“Did you break into my sister’s house? To steal the items, I mean.” Jack realized then that Rivington still had no idea that Jack had been Montbray’s valet at the time. Nicking a couple of snuff boxes and cravat pins had been no trouble at all. That had been before he opened this business—right before, in fact. “Oh, I have my ways,” he said. “Is that supposed to pique my curiosity?” Rivington’s demeanor was once again cold and bored. Jack hated that distant refinement, that cool bloodlessness that spoke of generations of breeding and piles of money. He wanted to replace that chilliness with
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curricle,”
curricle /ˈkərək(ə)l/ I. noun ‹historical› a light, open, two-wheeled carriage pulled by two horses side by side. – origin mid 18th cent.: from Latin curriculum ‘course, racing chariot,’ from currere ‘to run.’
A curricle is a light two-wheeled carriage drawn by two horses abreast. Usually open with a falling hood, it seats two people, plus a liveried groom on a seat or small platform between the rear springs—whose weight might be required to properly balance the carriage. Curricles are harnessed with a pole between the horses, and have an iron crossbar (the curricle bar) which rests over the harness saddle and supports the weight of the pole.[1][2][3]: 154 The lightweight "swept" body is hung from a pair of outsized swan-neck cee-springs at the rear, with a minimal dashboard and a pair of lamps in front. For park driving, such as in the Bois de Boulogne or along the seafront at Honfleur, two liveried mounted grooms might follow.[4]
Curricle
Curricle, oil by John Cordrey (1806)
The curricle originated in Italy and came to England in the early 1800s by way of France.[1][2] The word curricle comes from curriculum, the name of the Roman racing chariot.[1] In Latin, the word curriculum means "running", "racecourse" or "chariot".[5] The French adopted the English-sounding word carrick for such vehicles.
Accidents with curricles were common. The ratio of draft—one lightweight carriage compared to two horses pulling—was so low that curricles were often driven faster than they should, leading to collisions or accidents when a horse slipped.[6][3]: 95 The danger, plus the development of the safer phaeton and cabriolet, replaced curricles as the fashionable carriage of the time.[7]
It was a vehicle of easy draught, and could be driven at great speed. Unfortunately it was rather dangerous if the horses shied or stumbled, and this tended to reduce the demand for it.
— Lilian Baker Carlisle [8]: 8
The richer the man, the more likely it was that he had gone to a school whose only purpose was to introduce him to other rich lads and make all of them unfit for the company of anyone but themselves.
sangfroid.
sangfroid /säNGˈfrwä/ I. noun composure or coolness, sometimes excessive, as shown in danger or under trying circumstances. – origin mid 18th cent.: from French sang-froid, literally ‘cold blood.’
Sangfroid may be:
Sangfroid, an English loan phrase from French, literally, "cold-blooded", connoting calmness in a situation of danger or panic
It was more than attraction. Seeing Jack like this was the first inkling Oliver had that he could feel more for him than interest in a passing dalliance. Jack Turner’s face was one that could be dear to him.
“It turns out I have a talent for making conversation with ladies.” He gave his walking stick a twirl in the air. “It’s quite wasted on me, of course, but it’s a talent nonetheless.” Jack would not be charmed by how proud the man sounded. “Talent, my arse.” But it was true. At every inn Rivington found a baby to coo at or an old woman to prattle with. Yesterday Jack had watched him listen raptly to a farmer’s lecture on hop yields, a subject Rivington couldn’t possibly care about. “As for your talents with the ladies,” Jack continued, “I’ve already told you that you need to watch out or you’ll
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“Are you having me on? You can’t possibly know even half that much.” They had crossed the footbridge and were now in the churchyard. The sun had set behind the hills and darkness was coming fast. “Show me.” Rivington demanded. “What do you know about me?” He should have said no, in the clearest and most expletive-ridden terms. He did not perform parlor tricks for the amusement of the aristocracy, for people who were too lazy or too inept to do what he did. But he wanted to prove himself, he wanted this man to know who he was dealing with. He wanted to lay Rivington bare, let him know exactly
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“I only told you the bad things.” Jack’s voice was somewhere between a grumble and a whisper. He looked like a supplicant and sounded like a sinner. “I could have told you that you’re loyal and honorable and just sickeningly decent. I could have said that the way you care about such a poor sap as Wraxhall, the way you would do anything for your sister, including dirtying your hands by hiring me—no, don’t try to tell me it was otherwise—those things say more about who you are and what you mean to the people around you than any of that shite I told you in the graveyard.” He kissed the inside of
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Jack froze, his head still bent over Rivington’s lap. “Holy Jesus,” Rivington mumbled. He was sprawled in his chair, legs wide, head thrown back. Jack had been telling the truth when he admitted to having dreamt about this for years, the chance to bring Oliver to this incoherent, boneless satisfaction. Jack raised his eyes to the other man’s face. This was what he had seen in the orangery all those years ago: Oliver Rivington stripped of all his fine polish, lips parted, eyes half closed, cheeks pink with lust. He had longed to know how it would feel to utterly undo a man like Rivington. But
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“It was my own bad driving that caused the cards to tumble, so it’s the least I can do,” he said, and proceeded to drop to one knee to get close to the cards. “Bullshit. I ought to have kept them tied up in string, like I usually do. I should have known better.” That might have been the first game of “No, It Was My Fault” that Jack had played in his life, to say nothing of the fact that they were now both kneeling in the mud, which was a waste of at least one pair of breeches. Rivington handed him the cards he had retrieved, which Jack jammed into his pocket before extending his hand to help
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“You ran out on me last night.” Rivington’s voice was low in Jack’s ear, his arms tight around Jack’s back. Jack caught the familiar scent of Oliver’s laundry soap. The bush hid them from anyone who might chance to come along the road, so Jack let himself relax against Oliver’s chest. He took a deep breath, and the warm June air felt cold in his lungs. “I’m an idiot,” he said for the second time in as many days. A pair of wiry arms tightened around him. “Is that what you’re going to say every time you try to push me away?” Every time? Every time? What could Rivington possibly be thinking? Jack
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“Everything’s so easy with you,” Jack said, pulling back from the kiss. “It’s as if you don’t know what a bad idea this all is.” Rivington didn’t answer, he only reeled Jack in for another kiss, soft and needy and dangerous. They had shared so few kisses but already Jack had memorized the feel of Rivington’s lips against his own. The sweet taste of Rivington’s mouth now felt familiar, expected. And when Rivington tugged him closer, the press of their bodies was relief from an absence he hadn’t known existed. He ought to stand up. Hell, he ought to go back to London. Alone. He had no business
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“Services, eh?” How very coy. He made up his mind right then that before the night was through he’d hear Oliver beg for Jack’s attentions with lascivious clarity. He would hear the filthiest words come out of that pink mouth. To hell with euphemisms. “Whatever you prefer to call it, then. I haven’t lived like a monk, you know. I’ve managed to . . . have my needs met on four continents. Anything can be gotten for money.” Was that a hint of chagrin Jack detected? The man’s very kissable mouth was now quirked up in a sad little smile barely visible under the brim of his hat. Not for the first
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“Let me understand.” Oliver’s voice was faint, whether with amusement or injured pride Jack could not tell. “You’re taking issue with my spending habits? Not my moral character?” “Yes.” No. The truth was that Jack felt strangely discomposed imagining Oliver in compromising situations in cities circling the globe. While he should only have felt aroused—which he most certainly did—he also wanted to punch all those foreign bastards in the stomach. He decided he was not going to investigate that urge overmuch. “For what it’s worth, none of them did half the job you did.” Oliver’s voice was so
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There wasn’t even time for Oliver to wonder whether he ought to feel self-conscious about his scars. Without so much as breaking their kiss, Jack’s hands deftly undid buttons and pushed aside fabric until Oliver was quite comprehensively naked. Jack knelt on the bed, staring down at Oliver with a look that was utterly indecent. Whatever the condition of Oliver’s leg, it certainly wasn’t causing Jack any misgivings. Feeling bold, Oliver reached up to untie Jack’s cravat, only to find his hands mercilessly clamped down on either side of his head once again. “I’m not done looking at you,” Jack
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Jack trailed his hand down Oliver’s arm, which was flung out on the mattress beside him. Oliver was stronger than he looked. His muscles were lean and wiry but powerful. He realized that Oliver’s eyes were now open, regarding him from beneath sleep-heavy eyelids. “Hush,” Jack said. “It’s not time to wake yet.” Which was a stupid thing to say since hadn’t he just decided that Oliver belonged back in his own bed? But the fact was that Jack wanted a few more minutes to appreciate the man’s frankly excessive beauty without having to hide his admiration behind a veil of grumpiness or displeasure.
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In the library Oliver wrote a letter to his sister while Jack reviewed his notes, spreading his cards out on an empty table. “That reminds me,” Oliver said, reaching into his pocket. “You could use this to store your cards. It’s sturdier than the string you use to tie them up, and you’d have less danger of any cards going astray.” He held out a silver calling-card case. “I couldn’t accept—” Jack started. “No, it’s nothing. I have another.” He didn’t look like he was lying. Abandoning his letter, he came over to Jack and perched on the edge of the table. Taking one of the cards, he placed it in
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Somehow they managed to get the door to Jack’s office closed behind them before they so much as touched one another. Oliver found himself shoved against the door, the solid length of Jack’s body pressing him flat, leaving him almost pinned in place. But his hands were free, so he used them to squeeze and shape the firm muscles of Jack’s arms, the taut flesh of his arse. It had only been days since their last encounter, but evidently Oliver’s fingers needed reassurance that this was truly happening again, because he couldn’t stop exploring Jack’s body. Jack didn’t seem to mind. His lips were
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The next day, Oliver left his curricle behind and walked the short distance to Sackville Street, where Jack greeted him by throwing him onto the bed and slowly making him come unglued. He seemed to take a wicked pleasure in watching Oliver unravel before him. Afterwards, Oliver lay on his side, sated and spent and too exhausted to do much of anything
“Did you learn anything new about the Wraxhall matter?” he asked instead, trying to change the topic. He had noticed that the cards Jack examined pertained to a different case. When Jack spoke the edge was gone from his voice, a sign that he was ready to let Oliver cajole him back to good humor. “The lady is not in London, which is why I haven’t been able to get in touch with her.” The Season was drawing to a close and families were trickling out of London. “Yes, she invited me for a house party in Kent next week.” When Jack looked at him oddly, Oliver quickly added, “What? I’ve gotten
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“Jack. Where are the letters now?” Oliver was still sprawled languidly on the chaise. Jack needed to get out of this room before he started saying things that would later embarrass him. “Follow me and I’ll show you.” He dearly hoped he was right, because getting this wrong would make him look a right clod. They crept down the dark corridors without even a candle. It was a tricky business, feeling your way around a strange house, but Jack had paced out the distance earlier in the evening. The house was quiet. Even the servants were likely in bed at this hour, and the only sound was the scuff of
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“It’s only a scratch,” Jack protested as Oliver dragged him through the darkened passageways. Behind them, he could hear doors opening and the raised voices of guests who had been startled awake by the shot. “I don’t give a damn what it is,” Oliver growled as soon as they were safely back to his room, the door closed behind them. He sounded as fierce as Jack had ever heard him. “Either you let me tend to it or I’m summoning a surgeon, and that’s final.” With that, he proceeded to efficiently strip off Jack’s blood-soaked clothes. Jack could clearly see a little hole on one side of his arm.
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“You need to spend the rest of the night here,” Oliver insisted. “So I can keep an eye on your arm.” “My arm,” Jack said slowly. “Right.” He was leaning back in his chair, his uninjured arm hooked behind his head. He was shirtless and smirking and irresistible. “Please,” Oliver said with a roll of his eyes. “You’ve just been shot. You can’t mean to . . .” He let his voice trail off, reluctant to specify exactly what he didn’t think Jack ought to be doing so soon after being shot. But Jack wasn’t having any of that, evidently. “I can’t mean to what, Oliver?” he rumbled, his smirk dangerously
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sub rosa.”
Sub rosa (Neo-Latin for "under the rose") is a Latin phrase which denotes secrecy or confidentiality. The rose has an ancient history as a symbol of secrecy.
History
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In Hellenistic and later Roman mythology, roses were associated with secrecy because Cupid gave a rose to Harpocrates (the Hellenistic god of silence) so he would not reveal the secrets of Venus.[1] Banquet rooms were decorated with rose carvings, reportedly as a reminder that discussions in the rooms should be kept in confidence.[1]
This was inherited in later Christian symbolism, where roses were carved on confessionals to signify that the conversations would remain secret.[1]
The phrase entered the German language (unter der Rose) and, later, the English language, both as a Latin loan phrase (at least as early as 1654) and in its English translation.[1]
Blast and hell and fuck.
For years, Jack hadn’t needed anybody, hadn’t wanted anybody. He trusted Sarah and Georgie, at least most of the time, but had always known it would be ruinous to trust anyone else. That principle had been implicit in everything he had learned from his father, mixed in with how to nick a pocket watch and how to cheat at cards. But Jack had trusted Oliver. Call it love, call it want, call it whatever you please, but the plain fact of the matter was that Jack Turner had abandoned what had always been a core tenet of his life. Which was why he was not only miserable but also lost and stranded in
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He turned down the lane that led, with any luck, to the inn, but something made him balk. Now, why in hell did he feel like he ought to be heading back to Branson Court? There was nothing left for him to do there. Mrs. Wraxhall had her letters, Jack had his money, everyone was satisfied. Except for how they weren’t. Mr. Wraxhall was under the impression that his wife harbored pornographic longings for a former lover. Mrs. Durbin thought her daughter had been about to commit an act of hardened criminality. And he had left Mrs. Wraxhall alone to sort it all out, which was especially poor payment
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What made people want to talk to you was never your breeding.” He said “breeding” like someone would say “syphilis” or “bedbugs.” Oliver held his napkin to his mouth to hide a smile. “It’s your bloody charm,” Jack grumbled.
“This is the place,” Jack said two days later, as they inspected a narrow little house near the British Museum. “The bedchamber and office can both be on the ground floor, so you won’t have to climb more stairs than absolutely necessary.” “I can manage stairs perfectly fine,” Oliver lied. The week he had spent hauling himself up and down the stairs of whorehouses and gambling halls had been an unpleasant reminder of how bad his knee could get. Oliver knew that the time might come when even a single flight of stairs would prove impossible, even on a good day. And he was glad that Jack seemed to
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“Hale and hearty" is a redundant English phrase meaning in robust good health and vigorous. It's used to describe someone who is healthy, strong, and full of life, especially older people. The word "hale" itself comes from Old English and means "whole" or healthy, while "hearty" means vigorous and robust.
Meaning and Usage
Robust Health: To be "hale and hearty" means to be in excellent physical condition.
Vigorous: It implies someone is energetic and full of life.
Especially for the Elderly: The phrase is often used to describe older people who remain strong and active.
Example
"She lived to be 95 and was still hale and hearty until her last days," meaning she remained strong and healthy well into old age…
“I say, was that umbrella stand there earlier today?” Oliver asked when he arrived home. “No.” Jack didn’t look up from the letter he was writing. Oliver glanced around the sitting room. “This carpet is new as well.” Jack looked at the carpet, as if only now registering its presence. “So it is,” he agreed, in a tone that indicated that helpful elves had perhaps delivered it. “And those candlesticks,” Oliver said wonderingly. “They’re new.” So was the clock on the chimney piece, the footstool by Oliver’s chair, and a ceramic figurine that bore an outrageous resemblance to Oliver. This last item
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