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When Elvis stormed onto the national scene in 1956, he seemed to be doing everything he could to act nonwhite. He openly embraced black musical style, black pompadour hair, and flashy outfits that had been associated with blacks as well. His gyrations caused his critics to compare his wildly sexualized dancing to the “hootchy-kootchy,” or burlesque striptease, and the rebellious zoot suit crowd. His phenomenal fame and adoring fans helped to propel him to The Ed Sullivan Show, and from there to the silver screen. He soon owned a stable of Cadillacs.
White Trash: The 400-Year Untold History of Class in America
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