Yet by the late 1960s the middle class had become the most inauthentic of places: the suburbs provided indelible images of foil-covered TV dinners, banal Babbittry, and bad sitcoms. People took part in staid dinner parties, evocatively portrayed in The Graduate, where the talk was of a career-making investment in plastics—and what better stood for inauthenticity than unnatural products invented by chemists? There was a growing awareness that middle-class comfort was an illusion.
