White Trash: The 400-Year Untold History of Class in America

by Nancy Isenberg

Wild River (1960) concerned the TVA, as the construction of a dam was displacing an old matriarch and her family who were living on an island in the Tennessee River. The matriarch’s sons were shown as lazy and oafish, unwilling to work or leave the island, and dependent on the black sharecroppers who farmed their fields. The daughter was a bit trampish, more than willing to sleep with the TVA agent because she saw him as her only ticket off the island. A group of surly whites beat up the agent while the local sheriff and his deputy looked on. As in the earlier film, Kazan provoked a news story when he cast real poor whites to play the extras. The “white trash squatters” of the film lived in a place called Gum Hollow, which was an existing shantytown literally situated on the town dump in Cleveland, Tennessee. Community leaders were furious at the appearance of such unappealing men in the movie. Kazan gave in to pressure and reshot the offending scenes, this time hiring what the townspeople referred to as “respectable” unemployed. In this strange episode, proud small-town arbiters of morality refused even to acknowledge the extreme poor.56

The town probably also - if not explicitly - took offense to the exposure of their worst to the camera in a national release film. Who would want that kind of publicity? 'We're a great place to live, just as long as you ignore the dirt poor people living practically in the dump.' If I had to guess, that was the main concern, even if it went unsaid.