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For several weeks now, the team had been pulling together a montage, a sort of visual history of this crime. Over the images, we’d decided that we would play the 911 tapes. Although I’d seen bits and pieces of this opus as it was coming together, I didn’t feel the full power of it until this morning, when Jonathan hit the “play” button. You heard “Emergency 911,” then the static confusion on the caller’s end. The thumps of blows landing on flesh. Then, the more frantic pleas of the 1993 call. “He’s O. J. Simpson. I think you know his record. He’s fucking going nuts.” All the while, on the
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