Lóre Stevens

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It was an oil piece, Cupid and Psyche. Most artists choose to depict the moment of their final reunion on Olympus, or the earlier moment of betrayal, when curiosity drives the girl to break her vow not to try to see this mystery lover who comes to her only in darkness. But this artist did not show triumph or betrayal, but an earlier moment, when the lovers were still nestled in each other’s trusting arms, with yet no taste of sorrow. Psyche’s eyes were gently closed, while Cupid’s were covered by what might have been a slim, dark mask, but in context was the blindfold which artists sometimes ...more
Too Like the Lightning (Terra Ignota, #1)
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