The Man Who Was Thursday: A Nightmare (Illustrated)

by G.K. Chesterton

This particular evening, if it is remembered for nothing else, will be remembered in that place for its strange sunset. It looked like the end of the world. All the heaven seemed covered with a quite vivid and palpable plumage; you could only say that the sky was full of feathers, and of feathers that almost brushed the face.

An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only.

"Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck to have a dream like this. It is new to me for a nightmare to lead to a lobster. It is commonly the other way."

The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists.

He might have been called something above man, with his large plans, which were too obvious to be detected, with his large face, which was too frank to be understood. But this was a kind of modern meanness to which Syme could not sink even in his extreme morbidity. Like any man, he was coward enough to fear great force; but he was not quite coward enough to admire it.

It expands; it only destroys because it broadens; even so, thought only destroys because it broadens. A man's brain is a bomb,"

"Pagens ont tort et Chretiens ont droit."

"Secretary," said the President seriously, "if you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might."

He knew that that evil figure, his shadow, was creeping quickly or slowly behind him, and he did not care.

Turning the corner as he spoke, and facing the dim river, flecked with flame, he pointed with his stick to the other bank. On the Surrey side at this point there ran out into the Thames, seeming almost to overhang it, a bulk and cluster of those tall tenements, dotted with lighted windows, and rising like factory chimneys to an almost insane height. Their special poise and position made one block of buildings especially look like a Tower of Babel with a hundred eyes. Syme had never seen any of the sky-scraping buildings in America, so he could only think of the buildings in a dream.

"There is a great deal to be said for death; but if anyone has any preference for the other alternative, I strongly advise him to walk after me."

Was he wearing a mask? Was anyone wearing a mask? Was anyone anything?

This wood of witchery, in which men's faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside), seemed to Syme a perfect symbol of the world in which he had been moving for three days, this world where men took off their beards and their spectacles and their noses, and turned into other people.

He felt almost inclined to ask after all these bewilderments what was a friend and what an enemy. Was there anything that was apart from what it seemed?

The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists, as you can see from the barons' wars."

He wondered why the pelican was the symbol of charity, except it was that it wanted a good deal of charity to admire a pelican. He remembered a hornbill, which was simply a huge yellow beak with a small bird tied on behind it. The whole gave him a sensation, the vividness of which he could not explain, that Nature was always making quite mysterious jokes. Sunday had told them that they would understand him when they had understood the stars. He wondered whether even the archangels understood the hornbill.

"It was like the face of some ancient archangel, judging justly after heroic wars. There was laughter in the eyes, and in the mouth honour and sorrow. There was the same white hair, the same great, grey-clad shoulders that I had seen from behind. But when I saw him from behind I was certain he was an animal, and when I saw him in front I knew he was a god." "Pan," said the Professor dreamily, "was a god and an animal."