Death's End (Remembrance of Earth’s Past, #3)

by Liu Cixin

People usually resorted to this analogy: Imagine a race of flat beings living inside a two-dimensional picture. No matter how rich or colorful the picture was, the flat people could only see the profile of the world around them. In their eyes, everything consisted of line segments of various lengths. Only when such a two-dimensional being was taken up out of the picture into three-dimensional space and looking down on the world could he see the entirety of the image. This analogy simply expressed in some more detail the indescribability of experiencing four-dimensional space. A person looking back upon the three-dimensional world from four-dimensional space for the first time realized this right away: He had never seen the world while he was in it. If the three-dimensional world were likened to a picture, all he had seen before was just a narrow view from the side: a line. Only from four-dimensional space could he see the picture as a whole. He would describe it this way: Nothing blocked whatever was placed behind it. Even the interiors of sealed spaces were laid open. This seemed a simple change, but when the world was displayed this way, the visual effect was utterly stunning. When all barriers and concealments were stripped away, and everything was exposed, the amount of information entering the viewer’s eyes was hundreds of millions times greater than when he was in three-dimensional space. The brain could not even process so much information right away.

This is my favorite part. I have always thought of being in 4 dimensions as seeing all times of an object from it's birth to its death. Not as seeing all the insides of everything!