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Ahead was the Jewel Building. Logan paused to survey the vast mural which gave the structure its name—a climbing mosaic composed of tiny bits of fireglass brilliantly arranged to commemorate the Burning of Washington. Orange, purple and raw red flames jeweled halfway up the façade; bodies flamed; buildings smoked and tumbled. Yet the awesome masterwork was flawed, incomplete. Stark, gaping areas broke the pattern. Only the famed muralist Roebler 7 could handle the corrosive fireglass, and when he had accepted Sleep his secret died with him. The project would never be finished.
During the rioting, Brigadier General Matthew Pope authorized the use of one vest-pocket tactical atomic bomb. It was the last act of his life, and no other nuclear weapon was used in the Little War. Ground zero for the bomb was the site of the Smithsonian Institution—and the resultant crater was thereafter known as Pope’s Hole. It was a remarkably dirty bomb, and for two weeks Washington was virtually uninhabitable—until