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Every now and then I picture a subway train at night packed with people I used to know and random people whom I will meet by chance in some distant future. Most of the people I knew long ago now live their lives without me, and those whom I will meet by chance one day do not know me now. They walk by apathetically, their faces gloomy beneath the dim lights of the city hall subway station, jostling my shoulders as they pass.
Even now I think maybe my family is just a random collection of people I knew long ago and will never happen upon again, and people I don’t know yet but will meet by chance one day.
Being poor or being lonely could be either fortunate or unfortunate, but the truth is that the distinction was meaningless. Whether we were fortunate or not, we were still different, and that’s all there was to it.
He just looked blank sometimes. While everyone else was tormented by a restless anxiety, like the dizziness you feel on a spring day, which made them question what they were doing with their lives, Cheolsu was yawning and working on a crossword puzzle. He knew how to accept the tedium without the ennui.
Human beings are capable of becoming perfectly pure at some moment in their lives. It doesn’t matter if they’re royalty or literati, middle class, working class, or the lowest class. For many people that moment must be the moment when they are clasping hands with each other. Memory finds its way back through blood, through body heat. Right at that moment. But now is not that moment. Right now doesn’t mean anything at all.
What was real and what was fantasy? And what was it that I really wanted—reality or fantasy?
Up until that moment I’d never really understood sadness. The fierce, mob-like sadness that would come over me, clear and strong. Where did it come from? Was it real? This sadness that crept up and cut through all of my routines and my boredom and my repetition and my drama, like a sliver of glass piercing my flesh and sticking in the soles of my feet?
You know as well as I do that this is all just theater.
The silence inside a prison. The prison of time called life. The prison of class and circumstance. The prison of a code untranslatable into the language of the other. The prison of the flesh. The prison of sweaty hands that can’t let go even at the moment of falling.
That was everything that happened in 1988. That year was my beginning and my end. It was one year of my life that was neither particularly unhappy nor particularly happy. It wasn’t so different from 1978, and it wasn’t any more or less memorable in comparison to 1998. The things that happened in 1988 had also happened in 1978 and would happen again in 1998.
Time pushes away that which is intended, rejects that which is rejected, forgets that which is sung about, and is filled with that which it turns its eyes from, such as the white hairs of a loved one.
We lost touch with my brother—he never wrote, and he never sent money. I do not think of it as a betrayal.
I loved that brother. Not because he was family or because he’d bought me a washing machine. What he had left to me was a long-long-lived frigidity. The stillness of a beautiful, taxidermied want.
And that is how I became an absolutely meaningless thing and survived time.

