Shortly after first reading the Guide, I found myself recalling the story of the T’ang Dynasty artist Wu Tao-Tzu, who is said one day to have gathered his friends to show them his most recent painting. The friends huddled round it in admiration: it was a vertical scroll painting of a mountainous landscape with a footpath that led along the bank of a stream, and then through a grove of trees to a small cottage or hut. But when the friends turned to congratulate Wu Tao-Tzu, they realized he had vanished. Then they saw that he had stepped into the landscape of the painting, and was walking along
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