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by
C.G. Jung
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March 31 - May 3, 2019
I do not, of course, deny that many neuroses have a traumatic origin; I simply contest the notion that all neuroses are of this nature and arise without exception from some crucial experience of childhood. This view of the question results in a causalistic approach. The doctor must give his whole attention to the patient’s past; he must always ask: “Why?”and neglect the equally pertinent question: “What for?” This is frequently very harmful to the patient, for he is forced to search in his memory—perhaps over a course of years—for a hypothetical event in his childhood, while things of
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The dream is specifically the utterance of the unconscious. We may call consciousness the daylight realm of the human psyche, and contrast it with the nocturnal realm of unconscious psychic activity which we apprehend as dreamlike fantasy. It is certain that consciousness consists not only of wishes and fears, but of vastly more than these, and it is highly probable that the unconscious psyche contains a wealth of contents and living forms equal to or even greater than does consciousness, which is characterized by concentration, limitation and exclusion.
Dreams give information about the secrets of the inner life and reveal to the dreamer hidden factors of his personality. As long as these are undiscovered, they disturb his waking life and betray themselves only in the form of symptoms. This means that we cannot effectively treat the patient from the side of consciousness alone, but must bring about a change in and through the unconscious. As far as present knowledge goes, there is only one way of doing this: there must be a thorough-going, conscious assimilation of unconscious contents. By “assimilation”, I mean a mutual interpenetration of
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The psyche is a self-regulating system that maintains itself in equilibrium as the body does. Every process that goes too far immediately and inevitably calls forth a compensatory activity.
It is always helpful, when we set out to interpret a dream, to ask: What conscious attitude does it compensate?
It is of the first importance for the assimilation of dream-contents that no violence be done to the real values of the conscious personality. If the conscious personality is destroyed, or even crippled, there is no one left to do the assimilating.
Just as the interpretation of dreams requires exact knowledge of the conscious status quo, so the treatment of dream symbolism demands that we take into account the dreamer’s philosophical, religious and moral convictions. It is far wiser in practice not to regard the dream-symbols as signs or symptoms of a fixed character. We should rather take them as true symbols—that is to say, as expressions of something not yet consciously recognized or conceptually formulated.
As soon as man was capable of conceiving the idea of sin, he had recourse to psychic concealment—or, to put it in analytical language, repressions arose. Anything that is concealed is a secret. The maintenance of secrets acts like a psychic poison which alienates their possessor from the community.
However beneficial a secret shared with several persons may be, a merely private secret has a destructive effect. It resembles a burden of guilt which cuts off the unfortunate possessor from communion with his fellow-beings.
“Give up what thou hast, and then thou wilt receive”. We may well take this saying as a motto for the first stage in psychotherapeutic treatment. It is a fact that the beginnings of psychoanalysis were fundamentally nothing else than the scientific rediscovery of an ancient truth; even the name catharsis (or cleansing), which was given to the earliest method of treatment, comes from the Greek initiation rites.
Painful though it may be, this is in itself a gain—for what is inferior or even worthless belongs to me as my shadow and gives me substance and mass. How can I be substantial if I fail to cast a shadow? I must have a dark side also if I am to be whole; and inasmuch as I become conscious of my shadow I also remember that I am a human being like any other.
Nothing influences our conduct less than do intellectual ideas. But when an idea is the expression of psychic experience which bears fruit in regions as far separated and as free from historical relation as East and West, then we must look into the matter closely. For such ideas represent forces that are beyond logical justification and moral sanction; they are always stronger than man and his brain. Man believes indeed that he moulds these ideas, but in reality they mould him and make him their unwitting mouthpiece.
Mere insight into themselves is sufficient for morally sensitive persons who have enough driving force to carry them forward; for those with little imagination for moral values, however, it does not suffice. Without the spur of external necessity, self-knowledge is ineffective for them even when they are deeply convinced—to say nothing of those who have been struck by the analyst’s interpretation and yet doubt it after all. These last are mentally disciplined people who grasp the truth of a “reductive” explanation, but cannot accept it when it merely invalidates their hopes and ideals. In
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At all events the doctor must consistently try to meet his own therapeutic demands if he wishes to assure himself of a proper influence on his patient. All these guiding principles in therapy confront the doctor with important ethical duties which can be summed up in the single rule: be the man through whom you wish to influence others. Mere talk has always been considered hollow, and there is no trick, however cunning, by which one can evade this simple rule for long. The fact of being convinced, and not the subject-matter of conviction—it is this which has always carried weight.
Again, we so commonly undervalue the deeper aspects of the human psyche that we hold self-examination or preoccupation with ourselves to be almost morbid. We evidently suspect ourselves of harbouring rather unwholesome things all too reminiscent of a sick-room. The physician must overcome these resistances in himself, for who can educate others while himself uneducated? Who can enlighten his fellows while still in the dark about himself, and who can purify if he is himself unclean?
Most of my patients have already gone through some form of psychotherapeutic treatment, usually with partial or negative results. About a third of my cases are suffering from no clinically definable neurosis, but from the senselessness and emptiness of their lives. It seems to me, however, that this can well be described as the general neurosis of our time. Fully two-thirds of my patients have passed middle age.
For that matter, does a thing or a fact ever mean anything in and of itself? We can only be sure that it is always the human being who interprets, that is, gives meaning to a fact.
The least of things with a meaning is worth more in life than the greatest of things without it.
complexes are psychic contents which are outside the control of the conscious mind. They have been split off from consciousness and lead a separate existence in the unconscious, being at all times ready to hinder or to
Now these characteristics of the complex throw a significant light on its genesis. It obviously arises from the clash between a requirement of adaptation and the individual’s constitutional inability to meet the challenge.
It is the growth of consciousness which we must thank for the existence of problems; they are the dubious gift of civilization. It is just man’s turning away from instinct—his opposing himself to instinct—that creates consciousness. Instinct is nature and seeks to perpetuate nature; while consciousness can only seek culture or its denial. Even when we turn back to nature, inspired by a Rousseauesque longing, we “cultivate” nature. As long as we are still submerged in nature we are unconscious, and we live in the security of instinct that knows no problems. Everything in us that still belongs
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Impressive ideas which are hailed as truths have something peculiar to themselves. Although they come into being at a definite time, they are and have always been timeless; they arise from that realm of procreative, psychic life out of which the ephemeral mind of the single human being grows like a plant that blossoms, bears fruit and seed, and then withers and dies. Ideas spring from a source that is not contained within one man’s personal life. We do not create them; they create us.
As may be seen, I attribute a positive value to all religions. In their symbolism I recognize those figures which I have met with in the dreams and fantasies of my patients. In their moral teachings I see efforts that are the same as or similar to those made by my patients, when, guided by their own insight or inspiration, they seek the right way of dealing with the forces of the inner life. Ceremonial, ritual, initiation rites and ascetic practices, in all their forms and variations, interest me profoundly as so many techniques for bringing about a proper relation to these forces.
Theology does not help those who are looking for the key, because theology demands faith, and faith cannot be made: it is in the truest sense a gift of grace. We moderns are faced with the necessity of rediscovering the life of the spirit; we must experience it anew for ourselves. It is the only way in which we can break the spell that binds us to the cycle of biological events.
While it is perfectly understandable to us that people die of advanced age or as the result of diseases that are recognized to be fatal, this is not the case with primitive man. When old persons die, he does not believe it to be as a result of age. He argues that there are persons who have grown much older. Likewise, no one dies as the result of disease, for there have been other people who recovered from the same disease, or never contracted it. To him, the real explanation is always magic. Either a spirit has killed the man, or sorcery has done so. Many primitive tribes recognize death in
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The poet’s work is an interpretation and illumination of the contents of consciousness, of the ineluctable experiences of human life with its eternally recurrent sorrow and joy.
we must admit that the vision represents a deeper and more impressive experience than human passion. In works of art of this nature—and we must never confuse them with the artist as a person—we cannot doubt that the vision is a genuine, primordial experience, regardless of what reason-mongers may say. The vision is not something derived or secondary, and it is not a symptom of something else. It is true symbolic expression—that is, the expression of something existent in its own right, but imperfectly known.
Human passion falls within the sphere of conscious experience, while the subject of the vision lies beyond it. Through our feelings we experience the known, but our intuitions point to things that are unknown and hidden—that by their very nature are secret.
He protects himself with the shield of science and the armour of reason. His enlightenment is born of fear; in the day-time he believes in an ordered cosmos, and he tries to maintain this faith against the fear of chaos that besets him by night. What if there were some living force whose sphere of action lies beyond our world of every day? Are there human needs that are dangerous and unavoidable? Is there something more purposeful than electrons? Do we delude ourselves in thinking that we possess and command our own souls? And is that which science calls the “psyche” not merely a question-mark
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We mean by collective unconscious, a certain psychic disposition shaped by the forces of heredity; from it consciousness has developed.
It was Freud’s great discovery that neuroses have a causal origin in the psychic realm—that they take their rise from emotional states and from real or imagined childhood experiences.
Art is a kind of innate drive that seizes a human being and makes him its instrument. The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realize its purposes through him. As a human being he may have moods and a will and personal aims, but as an artist he is man in a higher sense—he is “collective man”—one who carries and shapes the unconscious, psychic life of mankind. To perform this difficult office it is sometimes necessary for him to sacrifice happiness and everything that makes life worth living for the ordinary human being.
The artist’s life cannot be otherwise than full of conflicts, for two forces are at war within him—on the one hand the common human longing for happiness, satisfaction and security in life, and on the other a ruthless passion for creation which may go so far as to override every personal desire. The lives of artists are as a rule so highly unsatisfactory—not to say tragic—because of their inferiority on the human and personal side, and not because of a sinister dispensation. There are hardly any exceptions to the rule that a person must pay dearly for the divine gift of the creative fire. It
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Whenever the creative force predominates, human life is ruled and moulded by the unconscious as against the active will, and the conscious ego is swept along on a subterranean current, being nothing more than a helpless observer of events. The work in process becomes the poet’s fate and determines his psychic development. It is not Goethe who creates Faust, but Faust which creates Goethe. And what is Faust but a symbol? By this I do not mean an allegory that points to something all too familiar, but an expression that stands for something not clearly known and yet profoundly alive. Here it is
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Under the influence of scientific materialism, everything that could not be seen with the eyes or touched with the hands was held in doubt; such things were even laughed at because of their supposed affinity with metaphysics.
We have now discovered that it was intellectually unjustified presumption on our forefathers’ part to assume that man has a soul; that that soul has substance, is of divine nature and therefore immortal; that there is a power inherent in it which builds up the body, supports its life, heals its ills and enables the soul to live independently of the body; that there are incorporeal spirits with which the soul associates; and that beyond our empirical present there is a spiritual world from which the soul receives knowledge of spiritual things whose origins cannot be discovered in this visible
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We are, however, effectively prevented from indulging in such reflections by the spirit of the age. It looks upon history as a mere arsenal of convenient arguments that enables us, on occasion, to say: “Why, even old Aristotle knew that.” This
If we were conscious of the spirit of the age, we should know why we are so inclined to account for everything on physical grounds; we should know that it is because, up till now, too much was accounted for in terms of the spirit. This realization would at once make us critical of our bias. We should say: most likely we are now making as serious an error on the other side.
Man’s unconscious likewise contains all the patterns of life and behaviour inherited from his ancestors, so that every human child, prior to consciousness, is possessed of a potential system of adapted psychic functioning. In the conscious life of the adult, as well, this unconscious, instinctive functioning is always present and active. In this activity all the functions of the conscious psyche are prepared for. The unconscious perceives, has purposes and intuitions, feels and thinks as does the conscious mind.
If it were permissible to personify the unconscious, we might call it a collective human being combining the characteristics of both sexes, transcending youth and age, birth and death, and, from having at his command a human experience of one or two million years, almost immortal.
psychic undercurrents in deadly earnest. Psychic life always found expression in a metaphysical system of some sort.