Stalin: Volume I: Paradoxes of Power, 1878-1928

by Stephen Kotkin

Palace Square, 6, on November 9 was greeted with derision, followed by mass desertion. True, his minions eventually found some petty cash in the ministry’s safe, and Stalin, to fund his own “commissariat,” had Pestkowski sponge 3,000 rubles from Trotsky.20 Pestkowski soon let on that he had studied some economics in London and was decreed “head of the State Bank.”21 The employees laughed him away, which is how he instead ended up working for Stalin. The decree naming the unemployed Pestkowski as central bank governor, and many similar pronouncements, had an absurdist quality reminiscent of the provocations of the new performance art known as Dadaism. A perfectly apt nonsense term, Dada had arisen in neutral Switzerland during the Great War, largely among Jewish Romanian exiles, in what they called the Cabaret Voltaire, which, coincidentally, lay on the same street in Zurich (Spiegelgasse, 1) as Lenin’s wartime exile apartment (Spiegelgasse, 14). Tristan Tzara, a Dada poet and provocateur, and Lenin may have played chess against each other.22 Dada and Bolshevism arose out of the same historical conjuncture. Dada’s originators cleverly ridiculed the infernal Great War and the malevolent interests that drove it, as well as crass commercialism, using collage, montage, found objects, puppetry, sound poetry, noise music, bizarre films, and one-off pranks staged for the new media they mocked. Dada happenings were also transnational, and would flourish in Berlin, Cologne, Paris, N...