Among the key instruments of the swaggering cobbler’s son was a Tsaritsyn Cheka, which had just announced its existence in May 1918 when it took over a two-story mansion overlooking the Volga. It made the top floor into offices and living quarters, and partitioned the lower floor into cells, which were soon stuffed with prisoners beaten unconscious to “confess.” Targets included “bourgeois,” clergy, intelligentsia, and tsarist officers, many of whom had answered a local appeal to join the Red Army. Workers and peasants were also arrested as counterrevolutionaries if they dared to criticize the
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