The Elements of Eloquence: Secrets of the Perfect Turn of Phrase
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we means you and I and that us means you and me.
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“The good end happily and the bad unhappily. That is what fiction means.”
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“He works his work; I mine.”
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There is only one thing in the world worse than being talked about, and that is not being talked about.
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veridical paradox, one that only appears impossible, but is in fact quite simple.
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“Labour Isn’t Working.”
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“We live in an age when unnecessary things are our only necessities”
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“I must be cruel only to be kind”
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long war against reality.
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well executed paradox stirs the soul and mixes language and philosophy in a way that no other figure does.
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“The Sound of Silence,”
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freedom. He is a circle whose centre is everywhere and whose circumference is nowhere.
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The only reason that T. S. Eliot insisted on the middle initial was that he was painfully aware of what his name would have been without it, backwards.
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“One for all and all for one.”
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“I’ve been too fucking busy, and vice versa.”
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“By day the frolic, and the dance by night,” which sounds rather agreeable, not just because a schedule of 24-hour dancing and frolicking is a good schedule, but because the sentence runs time activity: activity time.
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In Xanadu did Kubla Khan .
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Catachresis is rather difficult to define, but it’s essentially when a sentence is so startlingly wrong that it’s right.
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Litotes is affirming something by denying its opposite.
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“the war situation has developed not necessarily to Japan’s advantage,”
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diamond clear.
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It’s not that Wordsworth didn’t know about meteorology, it’s that he did know about metaphor.
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Metaphor is when two things are connected because they are similar, metonymy is when two things are connected because they are really physically connected.
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The extreme form of metonymy is synecdoche, where you become one of your body parts.
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all hands on deck as
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top brains
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What immortal hand or eye Could frame thy fearful symmetry?
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Ten years of elaborate Greek mythology in three clear images: a face, a flotilla, and turrets set ablaze.
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Nobody ever stops to think about a disabled toilet,
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“I lit a rather pleased cigarette”
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he wore great bright creaking boots;
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Adynaton is just Greek for “impossible,”
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in rhetoric adynaton is just a long way round of saying “this is the case.”
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may the crayfish whistle on the mountainside”
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It’s perfectly natural, prolepsis.
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They fuck you up, your mum and dad.
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Congeries is Latin for a heap, and in rhetoric it applies to any piling up of adjectives or nouns in a list.
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Anaphora (an-AFF-or-a) is starting each sentence with the same words. It’s the king of rhetorical figures.
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With anaphora people always remember the opening words, but they usually forget the rest.
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we shall fight, and we shall probably lose. The anaphora allowed him to push one, while slipping the other in unnoticed.
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