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perhaps you’ve seen me during one of my own increasingly frequent lacrimal events being comforted in kind while we moved across the Brooklyn Bridge, less a couple than conjoined.
Then his brother asked, “Where’s Ari? Did she go to bed already or is she coming?” They heard what could have been the slamming of a screen door in the distance, and his brother said, “That must be her.” But the author said, “She isn’t in this story.”
When he got out of bed late the next morning and had his coffee—iced so as not to disrupt the clotting—he realized: I do remember the drive, the view, stroking Liza’s hair, the incommunicable beauty destined to disappear. I remember it, which means it never happened.
But then my voice went on speaking to the child without my permission: “So your dad watched a video of young women whose families hailed from the world’s most populous continent get sodomized for money and emptied his sperm into a cup he paid a bunch of people to wash and shoot into your mom through a tube.”
After two quick glasses of Sancerre, the distinguished male author started holding forth, periodically tugging at his salt-and-pepper beard, his signature gesture, moving from one anecdote about a famous friend or triumphant experience to another without pausing for the possibility of response, and it was clear to everyone at the table who had any experience with men and alcohol—especially men who had won international literary prizes—that he was not going to stop talking at any point in the meal. Unless he dissects, I thought. When a young Latino man tried to refill his glass of water from a
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The baby octopuses are delivered alive from Portugal each morning and then massaged gently but relentlessly with unrefined salt until their biological functions cease; according to the menu, they are massaged “five hundred times.” The beak is removed and the small eyes are pushed out from behind. The corpses are slowly poached and then served with a sauce composed of sake and yuzu juice. It is the restaurant’s signature dish and so plate after plate of the world’s most intelligent invertebrate infants were being conducted from kitchen to table by the handsome, agile waitstaff.
Moreover, she explained, publishers pay for prestige. Even if I wrote a book that didn’t sell, these presses wanted a potential darling of the critics or someone who might win prizes; it was symbolic capital that helped maintain the reputation of the house even if most of their money was being made by teen vampire sagas or one of the handful of mainstream “literary novelists” who actually sold a ton of books.
I loved this idea: my virtual novel was worth more than my actual novel.
“I think of my audience as a second person plural on the perennial verge of existence,” I wanted to say. A waiter shook the bottle to mix the sediment and turn the sake white.
Maybe I was projecting, but when Whitman walks the makeshift hospitals delivering to the wounded gifts of money that the rich have asked him to distribute, when he gives tobacco to those who haven’t suffered damage to the lungs or face, I thought he was in a kind of ecstasy. From the distance of my residency late in the empire of drones, his love for the young boys on both sides whose blood was to refresh the tree of liberty was hard to take.
Part of me said: Do a tiny bump of cocaine and you’ll feel sober, centered, back in control, and probably a little euphoric; the better part of me said, You have a cardiac condition, don’t be an idiot, come down a little and go home. The better part of me easily won the debate: I decided not to do it, but I decided not to do it after I was already looking up from the glass top of the table, having insufflated a small line.