Burning Chrome

by William Gibson

“Thought you spoke Spanish. Guy’s Chilean isn’t he?” I tossed one of my pebbles into the pond. “I speak Mexican. The culture vultures said he wouldn’t like my accent. Good thing, too. I can’t follow him when he talks fast.” One of her pebbles followed mine, rings spreading on the surface as it sank. “Which is constantly,” she added.

Charmian says that contact with “superior” civilizations is something you don’t wish on your worst enemy.

Imagine an alien, Fox once said, who’s come here to identify the planet’s dominant form of intelligence. The alien has a look, then chooses. What do you think he picks? I probably shrugged. The zaibatsus, Fox said, the multinationals. The blood of a zaibatsu is information, not people. The structure is independent of the individual lives that comprise it. Corporation as life form.

“You’re the kind who always reads the handbook. Anything people build, any kind of technology, it’s going to have some specific purpose. It’s for doing something that somebody already understands. But if it’s new technology, it’ll open areas nobody’s ever thought of before. You read the manual, man, and you won’t play around with it, not the same way. And you get all funny when somebody else uses it to do something you never thought of.

you wonder how many thousands, maybe millions, of phenomenal artists have died mute, down the centuries, people who could never have been poets or painters or saxophone players, but who had this stuff inside, these psychic waveforms waiting for the circuitry required to tap in. . . .

These suckers are all written in hexadecimal, see, ’cause the industry programmers are all washed-out computer hacks.