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one of them is at Ocean View.” “Who?” “Berniece Mayhew.”
Virginia was taken upstairs.” “Also dead,” I say. Detective Vick shakes his head. “Not for another six months.”
Pausing a moment at the painting of Lenora, I take in her pert nose, ripe lips, green eyes. Despite the many years between them, the girl in the portrait is unmistakably the woman I’ve been caring for.
Then there are her eyes, which are colored an icy blue. Staring at them makes me recall what Berniece Mayhew said about Ricardo being a goner once Lenora batted her big eyes at him. Her big, blue eyes.
Mrs. Baker, she of the unknown first name, is indeed the infamous Lenora Hope.
“Faking my sister’s death or forcing her to assume my identity?”
All those photographs I found in her bedroom were snapshots of that other life. The one Virginia had dreamed about. And the one Lenora stole from her.
“Me,” Lenora says, punctuating the word with a sip of wine and a hard swallow. “My father. The real Miss Baker. After what we did, the only surprise is that she didn’t kill us all.”
As my sister was about to put my son into my arms, he said, “Lenora, take the baby into the other room.”
The last thing I heard was Miss Baker saying, “I swear to you, he won’t take that child from you forever.” She was lying. I never saw her--or my child--again.
“Miss Baker wrote to me a few weeks after the murders,” Lenora says. “She’d heard what happened and said that, under the circumstances, it would be best if she continued to raise the child as her own. I didn’t protest.”
Not Archie. Not Lenora. And certainly not Virginia. Yet despite now knowing all their tragic tales, one question remains unanswered. “Then who was Ricky?”
“The murders still could have been committed by someone other than Virginia, right?”
The truth will set me free—even if it might also send me to prison.
Someone like Mary. Coming back from the lab on Monday night. With the results of a blood analysis performed on a sample she brought there the night before.
When she was pushed off the terrace, Mary wasn’t leaving with a suitcase that contained a bunch of pages typed by Virginia and a sample of blood about to be tested. She was coming back with the results.
Peeking through the doorway, I spot a suitcase on the bed. One that doesn’t belong to him.
Because I know what my father did to get this suitcase. And I know why. All my life I’d only heard him referred to as Pat. But his real name is Patrick. Patrick McDeere. It didn’t occur to me that the second half of his name could also be turned into a different nickname. Ricky.
And spring she did. Toward my father. Knife in hand. Not stopping until the blade was deep in his side.
A tear in the fabric of her nightgown revealed a gushing wound in her stomach. The moment I saw it, I knew my mother had also used the knife on herself.
From the stairs, I screamed as I saw a flash of movement at Ricky’s hand. The knife. The rest happened so quickly I can scarcely recall it. A small mercy. What I do remember--the sound of the knife entering my mother’s torso, her collapsing on the landing--is horrible enough.
My parents were dead. My child was gone. The man I had once loved but didn’t any longer had fled. How is one supposed to carry on when they have nothing left?
I grabbed a long loop of it and carried it back inside, to the ballroom. I chose that room because it seemed the most like myself. Lovely, yes, but also empty and neglected.
On the phone, I gave away that Virginia was alive, accidentally leading him right to her.
Now I understand why Virginia had been so reluctant to reveal all of it. She didn’t want to be the one to tell me who my father was. And what he’d done.
That’s the hardest part to contend with—the fact that he’s still capable of murder.
I can’t bear the thought of taking the Grand Stairs, with their bloodstains that my father caused.
She knows I’m talking about Ricky. She’s known since our first meeting, when she barely registered my presence until I told her my full name.
Then that nurse of yours came to the house asking if I’d agree to a blood test.”
The left one holds the corkscrew, which she grabbed from the nightstand.