But the Count wondered if Osip didn’t have his analysis upside down. Certainly, it seemed true that glittering musicals and slapstick comedies had flourished during the 1930s in America. But so too had jazz and skyscrapers. Were these also narcotics designed to put a restless nation to sleep? Or were they signs of a native spirit so irrepressible that even a Depression couldn’t squelch it?
