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culture industries, spinning out big-budget, computer-generated films and merchandise; the theological has diffused into political ideology and the fanaticism of religious conflict; and the existential has been re-purposed into self-help and the therapeutics of consumerism.
In short, when the non-human world manifests itself to us in these ambivalent ways, more often than not our response is to recuperate that non-human world into whatever the dominant, human-centric worldview is at the time. After all, being human, how else would we make sense of the world?
The world-in-itself is a paradoxical concept; the moment we think it and attempt to act on it, it ceases to be the world-in-itself and becomes the world-for-us.
So, while we can never experience the world-in-itself, we seem to be almost fatalistically drawn to it, perhaps as a limit that defines who we are as human beings.
Scientists estimate that approximate ninety percent of the cells in the human body belong to non-human organisms (bacteria, fungi, and a whole bestiary of other organisms). Why shouldn’t this also be the case for human thought as well? In a sense, this book is an exploration of this idea – that thought is not human.
Horror is about the paradoxical thought of the unthinkable. In so far as it deals with this limit of thought, encapsulated in the phrase of the world-without-us, horror is “philosophical.” But in so far as it evokes the world-without-us as a limit, it is a “negative philosophy” (akin to negative theology, but in the absence of God). Briefly, the argument of this book is that “horror” is a non-philosophical attempt to think about the world-without-us philosophically.
But in a different way, what genre horror does do is it takes aim at the presuppositions of philosophical inquiry – that the world is always the world-for-us – and makes of those blind spots its central concern, expressing them not in abstract concepts but in a whole bestiary of impossible life forms – mists, ooze, blobs, slime, clouds, and muck. Or, as Plato once put it, “hair, mud, and dirt.”

