Propaganda

by Edward L. Bernays

He had no equal as a propaganda strategist. Always thinking far ahead, his aim was not to urge the buyer to demand the product now, but to transform the buyer’s very world, so that the product must appear to be desirable as if without the prod of salesmanship. What is the prevailing custom, and how might that be changed to make this thing or that appear to recommend itself to people? “The modern propagandist … sets to work to create circumstances which will modify that custom.” Bernays sold Mozart pianos, for example, not just by hyping the pianos. Rather, he sought carefully “to develop public acceptance of the idea of a music room in the home”—selling the pianos indirectly, through various suggestive trends and enterprises that make it de rigeur to have the proper space for a piano. The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.