Every era has to reinvent the project of “spirituality” for itself. (Spirituality = plans, terminologies, ideas of deportment aimed at resolving the painful structural contradictions inherent in the human situation, at the completion of human consciousness, at transcendence.) In the modern era, one of the most active metaphors for the spiritual project is “art.” The activities of the painter, the musician, the poet, the dancer, once they were grouped together under that generic name (a relatively recent move), have proved a particularly adaptable site on which to stage the formal dramas
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