Hundreds of kodaks clicked all morning at the scene of the lynching. People in automobiles and carriages came from miles around to view the corpse dangling from the end of a rope. . . . Picture cards photographers installed a portable printing plant at the bridge and reaped a harvest in selling the postcard showing a photograph of the lynched Negro. Women and children were there by the score. At a number of country schools the day’s routine was delayed until boy and girl pupils could get back from viewing the lynched man. —The Crisis 10, no. 2, June 1915, on the lynching of Thomas Brooks in
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